- ROLLEIFLEX 2.8 VS DIGITAL FULL
- ROLLEIFLEX 2.8 VS DIGITAL SOFTWARE
- ROLLEIFLEX 2.8 VS DIGITAL PROFESSIONAL
Although all Rolleflex cameras can be fine user cameras, there is also an active market for many Rolleiflex models as collectables, and this adds (greatly in some models) to the end price paid, particularly in Japan. Historically there were five focal length cameras available including 5.5 cm Rollei-Wide, 6.0 cm Baby Rollei, 7.5 cm (f:3.5), 8.0 cm (f2.8), and 13.5 cm (f:4 Zeiss Sonnar) Tele-Rolleiflex. The later f2.8 and f3.5 letter models (Planar or Xenotar lens) are highly sought after in the used market, and command the greatest price. Some, professional, amateur and fine-art photographers still shoot Rolleiflex TLR film cameras with color transparency, color negative, or black-and-white film. Ī range of accessories made this camera a system: panorama head, sun shade, parallax-corrected close-ups lenses, color correction, contrast enhancing, and special effect filters, all mounted with a quick release bayonet, as well as a quick-change tripod attachment. This makes the Rolleiflex Automat/Letter model cameras very sought-after for shooting fast-paced action, such as street photography.
ROLLEIFLEX 2.8 VS DIGITAL FULL
This mechanism started the exposure counter automatically, auto-spaced the 12 or (on the later model F cameras) 24 exposures, and tensioned the shutter all with less than one full turn of the film advance crank. Unique to the Rolleiflex Automat and letter model cameras, the mechanical wind mechanism was robust and clever, making film loading semi-automatic and quick. The highly regarded Zeiss Planar f2.8 and Schneider Xenotar lenses, both 80mm focal length and fast in comparison, are both state of the art optics. The high-quality 7.5 cm focal length lenses, manufactured by Zeiss and Schneider, allowed for a smaller, lighter, more compact camera than their imitators. The Rolleiflex TLR film cameras were known for their exceptional build quality, compact size, modest weight, superior optics, durability, simplicity, reliable mechanics and bright viewfinders. Rolleiflex cameras have used film formats 117 (Original Rolleiflex), 120 (Standard, Automat, Letter Models, Rollei-Magic, and T model), and 127 (Baby Rolleiflex).
ROLLEIFLEX 2.8 VS DIGITAL PROFESSIONAL
The 120 roll film Rolleiflex series is marketed primarily to professional photographers. (A companion line intended for amateur photographers, Rolleicord, existed for several decades.) However, a variety of TLRs and SLRs in medium format, and zone focus, and SLR 35 mm, as well as digital formats have also been produced under the Rolleiflex label.
ROLLEIFLEX 2.8 VS DIGITAL SOFTWARE
There is also the opportunity to shoot at a higher resolution of 3MP by using the optional software interpolation.The "Rolleiflex" name is most commonly used to refer to Rollei's premier line of medium format twin lens reflex (TLR) cameras. The prime feature of the original Rollei was its 6圆cm frame format, and this is re-created on this digital version as it produces square images with its combination of 2Mb CMOS sensor and 9mm f/2.8 equivalent lens. The film advance winder actually works on this digital miniature and readies the camera for the next photo to be taken. The images you have taken can be reviewed and deleted on the playback mode. Also faithfully replicated are the two lenses that always identified a Rollei camera, the Rollei logo, film crank lever, exposure meter, shutter release and carrying strap.Īs with the original, the camera is held at waist level or slightly above and you look downwards into the viewfinder (LCD screen) which is protected from unwanted shadows or direct sunlight by a hood that pops up at the touch of a button. Faithfully recreating the famous and classic Rolleiflex 2.8F with many of its features making it a world first for a camera of this size, a 0.9 LCD monitor and SD card memory just to mention two. To compliment the success of the Digital Leica M3, Minox have introduced a scale 2MP digital replica of the Rollei TLR to their range.
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Since 1929, famous photographers worldwide have used Rollei TLR cameras, first for news and then especially for portrait photography.